The excessive resolution and high price tag put Fujifilm GFX 100 in a very skilled class the place it’s sought after by photographers working in several genres. Two features stand out: the high decision of the sensor and the truth that the digital camera is designed for use in hand (though it can be tripod)
Probably the most advanced digital camera digital camera presently obtainable shouldn’t be much this digital camera can't do. For professionals on the lookout for the perfect image quality and one of the best-performing market choice, the GFX 100 grabs both bins
Officially unveiled on the finish of Might 2019 when improvement news was last in Photokina In September, Fujifilm's mid-measurement GFX 100 mirror digital camera might require several vital "first" . It’s the first non-mirrored digital camera with a resolution of over 100 megapixels and the primary medium-sized digital camera with a BSI (rear) mild sensor. Different "first" are stabilization of sensor switch and the power to report 4K / 30p video. It’s also the primary GFX collection mannequin with built-in IEEE802.11ac 5GHz Wi-Fi.
View of a 102 megapixel Fujifilm GFX 100 with GF32-64mm f / Four R LM WR lens. (Source: Fujifilm.)
The digital camera was delivered with the Fujin GF 45mm f / 2.8 R WR lens, which we examined with the GFX 50R. This comparatively quick, compact prime lens is right for advertising and document images, as well as for business and trend collections, and is a wonderful performance check.
Excessive resolution and high price tag for a really professional category the place photographers from many various genres are searched for. Two features appeal to potential consumers: high decision of the sensor and the truth that the digital camera is designed for use in hand (although it can be a tripod).
The 4K video perform might be lower than the digital camera's potential to document excessive-resolution nonetheless pictures. There are more reasonably priced "full-size" cameras with similar or better video tags that present skilled video options (although the GFX 100 shares the desired log storage and high bit depth output capabilities).
Fujifilm Center Cameras, Each Photographer should select the one which most accurately fits their individual needs. The table under compares three models
Structure and Ergonomics
The GFX 100 has an identical body design as the original GFX 50S with SLR design and detachable digital viewfinder (provided with the digital camera). The physique is manufactured from a magnesium alloy with an 'internal frame' that integrates the attachment of an image sensor, IBIS and lens to a single unit. The weather resistance is installed in 95 places, the place the body is extraordinarily immune to dust and moisture and can be utilized at low temperatures
in entrance of GFX 100 with out lens and with out detachable EVF. (Supply: Fujifilm.)
And not using a removable EVF, the front panel of the new digital camera appears slightly larger than the GFX 50R with a larger, barely deeper grip, however the same dominant lens mount. Including EVF brings it closer to the form issue of the GFX 50S, though all three cameras have many widespread design parts.
The lens release button is situated on the proper aspect of the set up with the Fn3 perform buttons above and under it between the bracket and the deal with. The decrease button is used when the digital camera is held vertically
For the primary time on Fujifilm cameras, the GFX 100 has a vertical grip that makes it extra secure and cozy in an upright place. The digital camera's important controls are situated at both ends of the holder, and the highest finish has a mixed on / off change and a shutter button and a entrance panel dial under it whereas the other end has a vertical shutter and surrounding management
The Fn1 button, which doubles as the exposure compensation button, is situated only on the front panel shutter panel at the again, where it meets the highest panel. The AF-Assist / Self-timer LED is embedded within the prime left nook of the front panel
Prime view of the GFX 100 with and without detachable EVF. (Supply: Fujifilm.)
The top panel is comparatively uncommon and has only one dual-motion management that makes use of an external disc to operate movie, still, and multi-mode modes. Every of these modes can retailer gadgets resembling publicity settings, white stability, and film simulation.
There are six options for bracketing in the Multi Setup submenu: AE, ISO, Film Simulation, White Stability, Dynamic Range, and Focus. At the backside of this listing is a single multi-publicity perform that mixes two exposures into one file
Urgent the central station button in Nonetheless mode opens a continuous and high continuous capturing mode when in movie mode it’s a quick solution to entry numerous video recording settings.
Three Show Choices Obtainable on the LCD Panel Prime Panel
To the proper of the EVF is a 38 x 28 mm secondary LCD that may be set in certainly one of three modes, including "Virtual Dial" Mode, which exhibits simulated dials. The backlight button is situated near the again of the panel with the Fn2 button between it and the shutter / energy assembly
The belt lugs are situated at every finish of the highest panel, to the fitting of the back and to the left forwards. The strap is sort of trendy with a textured, rubbery inside panel that runs across the consumer's neck. Including a special software to open the ends of the metallic belt clip, and the leather protecting cover is designed to hold the clips to rub towards the digital camera physique
Rear view of GFX 100 (Supply: Fujifilm.)
Giant, three.2 inch, 4: 3 The facet ratio monitor takes a few third of the rear panel and its three-half tilt design gives extra versatility than a simple tilt display, but not as a lot as a totally-shaped display. For different GFX cameras, screens with the same decision have a contact panel cover that helps widespread gestural changes.
Above the display is a removable OLED EVF with a decision of 5.76 million points and specifically developed for this digital camera. The eyepiece has 5 optical glass parts, some of that are aspherical. With full display coverage, zero.86x magnification and 23mm eye, it presents a wide range of diopter changes and includes a constructed-in eye sensor.
Setting the EVF installation on the rear panel has two buttons, the left eject button, and the main target mode selector on the proper. The Fn Four and Fast menu buttons are mounted on the thumb help above the small built-in LED indicator, which blinks green when focus is locked, orange when pictures are saved and flashes to warn. There are six controls on the suitable aspect of the display. Based on the minimalist design of the digital camera, they’re stored as simple as potential.
The highest AF-on button is slightly compensated. Under is the main target lever (joystick) with the AE lock button underneath it. Under are the menu / OK, Show / Back and Playback buttons
Under the display is the rear secondary display, a 50 x 10 mm monochrome panel that provides a further image of the digital camera settings with giant text. The default display exhibits aperture, shutter velocity, ISO, white stability, movie simulation and publicity compensation values. Alternatively, users can choose the EV scale or histogram or flip off the display
The battery case is situated on the backside of the digital camera body and has a pull-out tray with two NP-T125 batteries. The digital camera is shipped with non-recharged batteries, and the included charger can maintain one battery pack, which takes about 140 minutes to charge. The digital camera may also be used and charged by way of USB.
In accordance with widespread follow, two reminiscence card slots are situated beneath the locking cover of the fitting panel. Like siblings, the GFX 100 accepts SD, SDHC and SDXC cards and helps UHS Velocity Class three and Video Velocity Class 60 or larger.
There are two small compartments on the left aspect of the digital camera physique with onerous plastic roofs. , the highest has microphone and headphone connectors and the decrease has USB C, micro HDMI and 15V DC-IN connectors.
For the first time, stabilization is constructed into the digital camera body and is achieved by a sensor switch mechanism. Fujifilm claims a most of 5.5 cease strain correction by adjusting the tilt and tilt angles (up / down and proper / left tilt) in addition to the motion (vertical / horizontal) and roll (rotation) movements.
For such a large and heavy digital camera, we found the GFX 100 with a really convenient, environment friendly frame construction. Its stabilization system can also be impressive, as shown under in the Performance section, and is proven within the section of the pattern pictures
Sensor and Imaging
The GFX 100 makes use of the identical measurement sensor as 50R and 50S, but it’s a utterly totally different chip regardless that it has also a Bayer shade set, not an X-Trans filter that’s utilized in some X-mount cameras. The sensor is related to the newest fourth-era X-Processor Four high-velocity image processing engines
The sensor backlighting design supplies wonderful mild capture functionality for normal entrance mild, while using part detection pixels throughout its surface leads to autofocus up to twice as quick as current fashions. Focusing accuracy in both AF-S and AF-C modes is larger and the new digital camera is best than tracking its predecessor's shifting topics
Regardless of the new sensor and processor, the GFX 100 provides the identical sensitivity range as 50S, overlaying ISO 100-12800 on 1 / 3EV steps with ISO 50 and ISO 25600, 51200 and 102400 plug-ins. As earlier than, choosing an electronic shutter, both alone or together with a mechanical shutter, prevents you from using prolonged ISO settings. Lengthy publicity noise reduction can also be disabled. Sensitivity to film agreements with ISO 200-12800, prolonged to ISO 25600.
The digital camera supports three totally different JPEG sizes and three JPEG compression settings (Tremendous Advantageous, Advantageous, Normal) and uncompressed and losslessly compressed RAF.RAW information settings. Customers can select a 16-bit and 14-bit depth for uncooked information, and RAW + JPEG seize can combine any JPEG measurement with either uncooked file sort.
TIFF output is an alternative choice to JPEG when changing uncooked information into editable format in the digital camera using RAW improvement. The picture measurement won’t be reset when the digital camera is turned off or one other capturing mode is selected.
The desk under exhibits out there picture sizes and approximate file sizes for the 4: three facet ratio (which may differ based mostly on complexity).
|Picture high quality||Picture measurement (pixels)||Approximate file measurement|
|Uncompressed uncooked materials||11,648 x 8736  ~ 266 , 7MB|
|Crimped Crude||~ 114.3MB|
|JPEG||11.648 x 8736||65.3MB||42.9MB||26.7MB|
|] 8256 x 6192|
|8256 x 6192 28.7MB||21.6MB||12.8MB|
|4000 x 3000||7.7MB||5.1MB||three.2 MB|
Different facet ratios which might be additionally selectable are three: 2, 16: 9, 1: 1, 65:24, 5: Four and seven: 6 (similar as 50S). In every case, they’re achieved by limiting the 4: 3 body.
Continuous capturing speeds are barely quicker than other GFX cameras, however relatively sluggish in comparison with these provided by the DSLR and mirror cameras in the professional-full body. impressive with 102 megapixel resolution. The utmost burst price is 5 frames per second with a mechanical shutter, but solely 2.9 fps with an electrical shutter, the latter being slightly quicker than the two-velocity burst fee for both shutter varieties.
Revealed by Fujifilm, Buffer Reminiscence Capacity 41 JPEG (virtually double the capability of 50S and 50R cameras, but only 14 compressed raw information and 13 uncompressed uncooked information, marginal progress on previous fashions.) Countless capability for JPEG information and compressed  Video
The drive button is used to pick the video mode and recordings could be constructed from any of the P, A, S or M modes. The GFX 100 gives skilled recording capabilities in addition to DCI 4K 17: 9 (4096 x 2160 pixels) and UHD 4K 16: 9 (3840 x 2160 pixels) at 30/25 fps, 16: 9 and 17: 9 pixel ratios and frame rates 59.94, 50, 29.97, 25, 24 and 23.98 fps
When the GFX 100 data the video in DCI 17: 9 format, it makes use of a diagonal measuring range of approximately 49.5 mm, bigger than excessive-end cameras. 50.5 million pixels for video playback at very high decision, optimum high ISO efficiency, low subject power, and vast audio
By default, video is recorded on SD card 4K 30P in 10-bit 4: 2: 0 or external media on HDMI by way of 4K 30P 10-bit 4: 2: 2 depth, simultaneous recording is possible. FHD films may also be recorded on an HDMI system in 10-bit format 4: 2: 2. Users can select which reminiscence card information are stored and directs information to the HDMI system from the setup menu SAVE DATA SET-UP> MOVIE FILE DESTINATION.
The dimensions and velocity of the body might be set using Drive management from the top panel or important menu by choosing MOVIE SETTING> MOVIE MODE and choosing from the drop-down menu. Customers can select between newer and more highly effective H.265 (HEVC) and normal H.264 codecs and choose between ALL-Intra and Lengthy GOP compression.
F-Log recording is accessible within the Film Settings menu to ship a mild gamma curve with in depth playback for publish-processing. Hybrid Log Gamma Recording can also be out there for skilled commonplace recordings in accordance with the ITU-BT2100 commonplace. However each are limited to 30/25 fps.
A lot of the Film Simulation Results could be utilized to movie recordings and black and white films which might be recorded in heat or cool sound. Different obtainable choices embrace Dynamic Space and White Stability Adjustment, Highlighting and Shading, Shade Density, Sharpness, and Noise Discount
Film recording aids embrace zebra shows that spotlight overexposed highlights, time-encoding, wind and low-minimize filters, and inner and exterior microphone filters. and headphone quantity control. The consumer guide recommends using a UHS velocity class three or better card to document films with this digital camera.
A 3.76 million part detection pixel that covers the picture sensor and Fujifilm X's latest part recognition AF algorithms. A collection of mirrorless cameras, the GFX 100, might require a extra refined focusing system than either of its siblings. In line with Fujifilm, the new digital camera can comply with a shifting subject at a velocity of as much as twice the present fashions.
Users can select one level, zone, and enormous-scale monitoring from focus areas, and select face and eye recognition AF, which claims to have improved considerably with precision. Face Detection now works in a larger capturing range and is ready to monitor profiles and partially block obstacles.
Wi-Fi connections are configured within the Setup menu with Connections. that also consists of Bluetooth, community, and Instax printer settings. Wi-fi options require Fujifilm Digital camera Remote and embrace sensible telephone synchronization and automated image switch.
Adding a Bluetooth low-power connection to a longtime built-in Wi-Fi network adds the power to all the time join a digital camera and an clever gadget with out additional battery power. As with Wi-Fi, customers have to pair the digital camera with the sensible system in the PAIRING REGISTRATION menu. (As much as seven units could be related to the digital camera.)
Once related, Fujifilm Digital camera Distant can be utilized to browse pictures in the digital camera, download and receive photographs from the digital camera, obtain location info from the digital camera, and handle the digital camera remotely. It can be used to replace the digital camera firmware.
This app is handy for professional photographers as it permits them to send photographs to clients or show them on other units as soon as they are taken. The digital camera lets you convert raw information into JPEG photographs with the digital camera to help this course of, regardless that we expect it will be quicker and easier to easily take RAW + JPEG and set the JPEG measurement as the best choice for sharing as a result of the digital camera is enabled
Like GFX 50R, GFX100 has a USB sort C (USB3.1 Gen1) interface as an alternative of USB 3.zero and it also supports USB-related image. The interface is situated on the bottom of the left aspect panel, just above the HDMI (Sort D) jack, situated above the DC IN 15V interface. The upper compartment features a microphone and headphone sockets.
Playback and Software
The GFX 100 can show 28 icons for several types of knowledge on its LCD display and EVF screens that permit users to watch digital camera settings. Urgent the show button lets you change 4 choices that cowl commonplace indicators, no indicator lights, info display, and "favorites" display with star values.
Play settings can be found by urgent the show / back button
Urgent the main target level (joystick) displays three "photo information".
Photo Information Settings.
The other playback settings are principally the same as the GFX 100 siblings and embrace, at zoom magnification, the dimensions of the picture, multi-body playback, interchange between slots, raw conversion to JPEG or TIFF, and normal removing, protection, twisting, resizing, crop and purple-eye removing settings, and including and copying voice memos between cards.
After the agreement with Part 1, like other Fujifilm cameras, GFX 100 consumers can download a replica of Part One's Capture One product file conversion software program for e Fujifilm. Which means you not have to make use of a worse raw file processor.
Other downloadable software may be downloaded free of charge Fujifilm Digital camera Distant, MyFinePix Studio, Raw File Converter EX, Fujifilm X Uncooked Studio, Fujifilm X Acifire, Fujifilm Controls for Lightroom and Hyper-Utility software program HS-V5. Most of those are of limited value
Our Imatest software program for the first time was unable to process check information recorded with the GFX 100 Review Digital camera and give us numbers that indicate the accuracy of the digital camera. and a 45 mm f / 2.8 lens; the resolution was far too high! Although it survived wonderful with 50 megapixel information from different cameras, 100 megapixels have been beyond its capabilities
Luckily, we have been capable of acquire shade accuracy results with Imatest software program, which showed the digital camera to be an excellent performer for each the instantly recorded JPEG information and RAF.RAW information which might be converted 16-bit TIFF format with Adobe Digital camera Uncooked, advisable file conversion software. The results are introduced in the TEST section of this assessment.
In an effort to display the digital camera's resolution properties, we’ve offered minimize elements of some check photographs after they have been expanded to 100% in Photoshop.
We discovered issues with the scan digital camera sensor for storing a wide dynamic vary of photographs that have been captured with robust backlight beneath contrast circumstances. Adjusting the Dial-in Dynamic Vary did some answer to this drawback, however a setting of as much as 400% couldn’t remedy the problem utterly underneath excessive circumstances as shown within the samples under.
Lengthy publicity at night time confirmed a evaluation digital camera to be a competent performer. With its very high decision (which meant individual photosites about three.76 microns, 5.31 microns for GFX 50S and 50R cameras), publicity to ISO 12800 was pure and pretty free. The 100% enlargement of the frames did not cause any noise at ISO 800, despite the fact that it was very visible in ISO 51200.
Regular magnification revealed a slight softening in ISO 51200, however the noise didn’t actually grow to be visible till ISO 102400. The general performance of this area was wonderful and the pictures with the very best sensitivity have been definitely usable.
The automatic white stability setting produced a neutral colour shift in fluorescent lamp lighting, however it didn’t remove absolutely heat shade plates from incandescent bulbs and warm sound LED lighting, although in each case the drainage was decreased sufficient to make subsequent repairs straightforward. Tungsten and fluorescent presets are likely to right their illumination varieties, although the daylight fluorescence preset was very low
LED illumination is just not preset, but the digital camera has a variety of adjustability obtainable to high-quality-tune the colour stability on the transfer. In the locality, the digital camera dealt with combined lighting circumstances nicely and guide adjustment is never needed.
As talked about above, the stabilization system was usually wonderful despite the fact that it was supported by the dimensions and weight of the digital camera body. Hand-held 1/4 second exposures have been all sharp, however we have been also capable of maintain the digital camera in guide exposure for so long as one second and acquired a excessive proportion of the results to use.
The autofocus speeds have been the identical because the X-T3 and the main target was as accurate as the digital camera. A lot of the photographs and film clips have been correctly targeted and appropriately exposed (as a result of the digital camera switches AF and AE measurements by default).
Although we had some harm with only one lens (and one is most popular) Capturing, the film's efficiency was simply as hanging and the recordings naturally displayed spectacular colours, vast tone distribution (with out blown highlights) and loads of element. Skilled video photographers ought to be glad with the wide selection of obtainable settings and the standard of the materials out there.
Both 4K and Full HD settings produced good outcomes with professionally recorded audio information. Although we wouldn’t have the power to edit F-Log and HLG footage, examples are given in the samples under.
Our timing check was performed with a 64 GB SanDisk ExtremePro SDXC II UHS three reminiscence card in a single slot (configured for JPEGs) and a 32 GB Lexar Skilled SDHC II UHS 3 card with a worth of 95 MB / s in another (specified raw s) are calculated. Each cards have speeds of 300MB / s.
The inspection digital camera took little energy and an analogous time shut off. We measured the typical capture time of 0.2 seconds, which was decreased to lower than zero.1 seconds by pre-management. Shot-shot occasions have been on average zero.Four seconds. It took about 1.25 seconds to course of every JPEG file and three.Four seconds for every RAF.RAW file and RAW + JPEG pair.
In Fast Continuous Capturing Mode, the digital camera recorded 61 full-resolution JPEG pictures in 12.eight seconds without slowing down. This works slightly below 5 frames per second, which corresponds to the technical knowledge. The remedy was accomplished in 18.2 seconds
Capturing uncompressed RAF.RAW frames with a mechanical shutter crammed the buffer 31 with frames recorded in 3.eight seconds. It took 43 seconds to course of this burst.
Combining uncompressed raw frames into high-decision JPEG discs lowered the buffer capacity to 12 frames recorded in 2.6 seconds, a frame price of 4.6 fps. It took 33 seconds to clear the buffer reminiscence.
Check in or register to succeed in a conclusion.
Picture Sensor: 43.8 x 32.9 BSI CMOS Sensor with Bayer Colour Group, Highly effective 102 Megapixels, 4: 3 facet ratio, AA Filter, approximate pixel size 3.76 micron
Image Processor: X processor Four
A / D processing: 14-bit or 16-bit RAW; 24-bit or 30-bit TIFF digital camera inner conversion
Lens mount: Fujifilm G-stand
Medium-size Trimming issue: zero.79x
Picture formats: Stills: JPEG (Exif Ver. 2.3), RAF. RAW (14-bit / 16-bit), RAW + JPEG (8-bit / 16-bit, 10-bit output in 16-bit file) by way of TIFF digital camera's inner uncooked conversion; Films: MOV / H.264 / H.265 4: 2: zero 10-bit utilizing all inner / long GOP compression; Linear PCM stereo sound with 24-bit / 48 KHz sampling
Image sizes: Four: 3: 11648 x 8736, 8256 x 6192, 4000 x 3000; Films: DCI 4K (4096 x 2160) 30/25/24 fps (100-400Mbps), UHD 4K (3840 x 2160) 30/25/24 fps (100-400Mbps), DCI 2K (2048 x 1080) 60, 50 , 30, 25, 24 fps (50 – 200 Mb / s), Full HD (1920 x 1080) 60, 50, 30, 25, 24 fps (50-200 Mb / s)
Facet Ratio: three: 2 Four: three, 5: Four, 7: 6, 16: 9, 65:24, 1: 1
Picture Stabilization: Image Sensor Offset with 5-axis compensation, 5.5 Stop Cupboard Repair
Dust Removing: Extremely Sonic Vibration
Shutter (velocity range): Focal Aircraft Shutter; Mechanical shutter: 30 to 1/4000 seconds; Elektroninen suljin: 30 – 1/16000 sekuntia; enintään 3600 sekuntia, jotka ovat käytettävissä manuaalitilassa ja 0–60 minuuttia polttotilassa; Elokuvatila 1/4 – 1/4000 sekuntia; salaman synkronointi 1/125 sekunnissa
Valotuksen kompensointi: +/- 5EV 1 / 3EV-vaiheissa (+/- 2EV elokuville)
Valotuksen haarukointi: + / 2, 3, 5, 7 tai 9 kuvaa 1: ssä / three, 2/3, 1, Four/three, 5/3, 2, 7/three, eight/3 tai 3EV vaiheet
Muut haarukoinnin vaihtoehdot: elokuvan simulointi, dynaaminen alue, ISO, valkotasapaino, tarkennus
] Itselaukaisin: 2 tai 10 sekunnin viive
Ajastin: Kyllä (kuvien, käynnistysajan, aikavälien, valotuksen tasoittamisen asetukset)
Tarkennusjärjestelmä: Älykäs hybridi-AF (TTL-kontrastin / vaiheen havaitseminen) -järjestelmä 3 760 000 Part Detection-pikseliä, jotka kattavat koko anturin pinnan; Automaattinen ja manuaalinen tarkennus
AF-pisteet ja valinta: Yhden pisteen AF (vaihdettavan kehyksen koolla), vyöhyke AF (three × three, 5 × 5, 7 × 7 117 alueelta 13 × 9 ruudussa), laaja / seuranta AF (enintään 18 aluetta), AF-S, AF-C, seuranta (kaikki), manuaalinen tarkennus (M)
Tarkennustilat: yksi AF (S-AF) / jatkuva AF (C-AF) / manuaalinen tarkennus (MF) / S-AF + MF / AF-seuranta (C-AF + TR) / Preset MF; C-AF lock (5 steps), AF scanner (3 varieties); AF concentrating on pad; AF limiter; 3x , 5x , 7x , 10x , 14x Magnified body AF; face/eye detection AF; Guide focus assist (magnification and peaking)
Publicity metering: TTL 256-zone metering with Multi, Spot, Average, Centre-weighted patterns
Capturing modes: Program AE, Aperture Precedence, Shutter Precedence, Guide
Movie Simulation modes: 16 modes (PROVIA/Normal, Velvia/Vivid, ASTIA/Delicate, CLASSIC CHROME, PRO Neg.Hi, PRO Neg.Std, Black & White, Black & White+Ye Filter, Black & White+R Filter, Black & White+G Filter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, ETERNA/Cinema); Monochrome adjustment perform -9 to +9; B&W adjustment of +/- 9 when ACROS or B&W is selected
Other capturing modes: D range precedence, Highlight tone, Shadow tone, Color, Sharpness, Noise discount, Lengthy exposure NR, Lens Modulation Optimizer, Color area, Pixel mapping, Choose custom setting, Edit/Save custom setting, AF-C custom setting, Store AF mode by orientation, AF level show, Pre-AF, AF Illuminator, Face/Eye detection AF, AF+MF, MF assist(Digital Cut up Picture, Digital Microprism, Focus peak highlight), Focus verify, Interlock spot AE & focus area, Prompt AF setting (AF-S/AF-C), Depth-of-area scale, Launch/Focus priority, Contact display mode, Flicker reduction, Mount adapter setting, 35mm Format Mode, Purple eye removing, RGB Histogram, Spotlight alert, Electronic degree, Preview depth of subject, AE lock, AF lock, AF-ON, AWB lock, Multiple exposure
In-digital camera effects: Grain, Colour Chrome, Clean Skin
Dynamic Range features: Auto, 100%, 200%, 400%
Colour area options: sRGB and Adobe R GB
ISO vary: Auto x3, (up to ISO12800), Guide – ISO 100-12800 in 1/3EV steps with extension to ISO 50 and ISO 102400 out there; Movie vary ISO 200-12800 with extension to ISO 25600
White stability: Automated Scene Recognition, Color Temperature, Customized, Wonderful, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Heat White), Incandescent, Shade, Underwater
Flash: Exterior flashguns only
Flash modes: First-Curtain Sync, Hi-Velocity Sync, Guide, Second-Curtain Sync, Sluggish Sync, TTL Auto
Flash publicity adjustment: +/- 3 EV in 1/three, half, 1 EV steps
Sequence capturing: Max. 5 frames/sec. with locked AF
Buffer capacity: Max. 41 Giant/Superb JPEGs, 14 compressed RAW information, 13 uncompressed RAW
Storage Media: Twin slots for SD, SDHC, SDXC playing cards (UHS-I, II and Video V90 suitable)
Viewfinder: Detachable 0.5-inch 5,760,000-dot OLED EVF with 100% body coverage, 23mm eyepoint, zero.86x magnification, -4 to +2 dpt adjustment, constructed-in eye sensor
LCD monitor: 3.2-inch Four:3 facet ratio three-means tilting touchscreen colour LCD with 2,360,000 dots; Sub LCD monitor – 1.eight-inch Four:three facet ratio 303 x 230-dot monochrome LCD, Rear sub monitor – 2.05-inch Four:1 facet ratio 256 x 64-dot monochrome OLED display
Interface terminals: USB Sort-C USB3.2 Gen1x1, Micro HDMI (sort D), 2.5mm remote control jack, 3.5 mm stereo mini jack (microphone), 3.5 mm stereo mini jack (headphone), DC IN 15V connector
Wi-Fi perform: Constructed-in (IEEE802.11a/b/g/n/ac (normal wi-fi protocol), Bluetooth Ver. 4.2 low power; Geotagging, Picture switch (Individual picture/Chosen a number of photographs), View & Acquire Pictures, instax Printer Print, Pairing registration, Delete pairing registration, Bluetooth ON/OFF setting, Auto image transfer, Smartphone Sync. Setting, Wi-fi com. frequency setting
Energy provide: 2x NP-T125 rechargeable Li-ion batteries in particular base pack; CIPA rated for approx. 800 photographs/charge
Dimensions (wxhxd): Approx. 156.2 x 163.6 x 102.9 mm (including EVF
Weigh t: Approx. 1155 grams (physique solely); 1400 grams with batteries and card but without EVF
Distributor: Fujifilm Australia; 1800 226 355; www.fujifilm.com.au
Based mostly on JPEG information taken with the Fujinon GF 45mm f/2.eight R WR lens.
Based mostly on RAF.RAW information converted into 16-bit TIFF format with Adobe Digital camera Uncooked
All photographs taken with the Fujinon GF 45mm f/2.eight R WR lens.
Auto white stability with incandescent lighting.
Auto white stability with fluorescent lighting.
Auto white stability with warm-toned LED lighting.
30-second publicity at ISO 50, f/2.eight.
30-second exposure at ISO 100, f/Four.
15-second publicity at ISO 800, f/5.
Crop from close to the centre of the above picture enlarged to 100%.
8-second publicity at ISO 6400, f/8.
eight-second publicity at ISO 12800, f/11.
Four-second publicity at ISO 25600, f/11.
2-second publicity at ISO 51200, f/11.
Crop from close to the centre of the above picture enlarged to 100%.
2-second exposure at ISO 102400, f/16.
Crop from near the centre of the above image enlarged to 100%.
ISO 100, 1/3 second at f/5.6.
ISO 400, 1/10 second at f/5.6.
ISO 3200, 1/80 second at f/5.6.
ISO 10,000, 1/250 second at f/5.6.
ISO 500, 1/4 second at f/5.6.
ISO 1600, 1/4 second at f/16.
ISO 800, 1/Four second at f/5.6.
Stabilisation check; ISO 100, half second at f/5.
Robust backlighting with Auto DR setting; ISO 200, 1/500 second at f/eight.
Robust backlighting with 400% DR setting; ISO 400, 1/640 second at f/8.
ISO 200, 1/1000 second at f/6.3.
Flare; ISO 100, 1/18 second at f/9.
Normal daylight; ISO 100, 1/250 second at f/8.
Crop from near the centre of the above image enlarged to 100%.
Low mild degree subject; ISO 200, 1/Four second at f/5.6.
Crop from close to the centre of the above picture enlarged to 100%.
Crop from close to the decrease left nook of the above picture enlarged to 100%.
High distinction subject; ISO 100, 1/50 second at f/8.
ISO 200, 1/480 second at f/5.6.
ISO 100, 1/250 second at f/7.1.
ISO 200, 1/850 second at f/5.6.
Eterna Film Simulation for stills shot; ISO 200, 1/320 second at f/eight.
Still frame from DCI 4K (4096 x 2160) 17:9 video clip recorded at 30p.
Still body from DCI 4K (4096 x 2160) 17:9 video clip recorded at 25p.
Still body from 4K (3840 x 2160) 16:9 video clip recorded at 25p.
Nonetheless frame from DCI 2K (2048 x 1080) 17:9 video clip recorded at 50p.
Still body from FHD (1920 x 1080) 16:9 video clip recorded at 50p, H.265 compression.
Still body from FHD (1920 x 1080) 16:9 video clip recorded at 25p, H.265 compression.
Nonetheless body from FHD (1920 x 1080) 16:9 video clip recorded at 50p, H.264 compression.
Nonetheless body from FHD (1920 x 1080) 16:9 video clip recorded at 25p, H.264 compression.
Nonetheless body from FHD (1920 x 1080) 16:9 video clip recorded at 50p with Eterna/Ci nema Film Simulatio n.
Nonetheless body from FHD (1920 x 1080) 16:9 video clip recorded at 50p with F-log mode.
Nonetheless body from FHD (1920 x 1080) 16:9 video clip recorded at 50p with Hybrid Log Gamma (HLG) mode.
RRP: AU$16,499; US$9999
- Build: 9.5
- Ease of use: 9.zero
- Autofocusing: 9.zero
- Nonetheless image high quality JPEG: eight.8
- Still picture quality RAW: 9.zero
- Video high quality: 9.0